Project 7: Exercise – Depth with lighting

Lighting plays a big part in creating depth, whether it’s through the use of minimal pools of lighting to highlight certain objects or subjects on screen, or whether it’s through lighting the whole scene to show even distant objects.

One film that really uses light to create mood and depth to a scene is the Film Noir thriller The Third Man (1949), and I also like the use of light in Schindlers List, which also had a Film Noir feel to some of the scenes, and The Colour Purple is stunning too.

For the practical part I had to play around with lighting a scene in a small dark space.  I’d have liked to used live subjects, but I have a rather camera shy husband, so I had to make do with what I could find in the living room.  The lighting I used was a rather odd setup.  The constant light I used was a little domestic spotlight with a daylight balanced  bulb in it that I use for my sewing room, and I also used the light on my phone, which is a slightly warmer light, so there is a little bit of mixed lighting going on, but not too bad.

Even though the depth of field is too narrow to really show the rear subject clearly I particularly like the first and second shots, the top down lighting gives it a bit more drama, but I like the separation of the two different colour temperatures too.

Although I’m happy with lighting these closer in subjects and separating them with the light, I intend to have a play around more with larger scenes and spaces, when I find a suitable spot and some willing  subjects!

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One thought on “Project 7: Exercise – Depth with lighting

  1. Pingback: Lights, Camera, Action! (Part 1) – Vargoing

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